Confronting Reversals: Do We Retreat or Advance?

AUTHOR'S NOTE: I really need a new tarot book. Right now I'm re-reading Paul Fenton-Smith's Tarot Master-Class, which I believe has been revised, re-titled and republished since I bought it. This is not a bad experience, just a redundant one, but it has brought me face-to-face once again with his premise that encountering a reversed … Continue reading Confronting Reversals: Do We Retreat or Advance?

The “Scream of the Butterfly:” Squeezing the Bad from the Good

"Before I sinkInto the big sleepI want to hearI want to hearThe scream of the butterfly"- from "When the Music's Over" by Jim Morrison of The Doors AUTHOR'S NOTE: We can only guess whether Jim Morrison achieved his goal before he sank into his final "one-way" encounter with drugs, alcohol and heart failure (but given … Continue reading The “Scream of the Butterfly:” Squeezing the Bad from the Good

The “Ship-to-Ship” Interest-Signaling Spread

AUTHOR'S NOTE: Here is a relationship spread that uses the "ships that pass in the night" metaphor to explore how meaningful "signals" might be sent between the two parties to the encounter. The idea is that interest and intent will be expressed openly or obliquely by both individuals, accompanied by direct or indirect actions and … Continue reading The “Ship-to-Ship” Interest-Signaling Spread

The “Qabalistic Onion” Situational-Awareness Spread*

AUTHOR'S NOTE: I liken tarot reading to "peeling an onion " because what we see in the cards at a surface level isn't always what is going on in the hidden depths of the situation, and we must "drill down" to find the reality. Here I'm turning that concept inside-out by proposing that the truth … Continue reading The “Qabalistic Onion” Situational-Awareness Spread*

The Unpredictable Swords: Mental Agility or Mental Chaos?

AUTHOR'S NOTE: In the Golden Dawn's system of elemental correspondences for the suits of the tarot, Swords are assigned to Air, suggesting admirable fluidity, flexibility and agility. This despite the fact that, as A.E. Waite observed in his Pictorial Key to the Tarot, the Swords "generally are not symbolic of beneficent forces in human affairs" … Continue reading The Unpredictable Swords: Mental Agility or Mental Chaos?

The Haunting: Residual Implications of Reversal

AUTHOR'S NOTE: Here is a companion piece to my previous essay on reversed cards as indicators of introspection or introversion that explores another notion I picked up from Paul Fenton-Smith, who observed that the reversed 3 of Swords can imply being "haunted by past disappointments." Unlike the influence of an upright card, which will often … Continue reading The Haunting: Residual Implications of Reversal

Reversed Fours: A Stumble and A “One-Point Landing”

AUTHORS NOTE: Having finished re-reading 54 Devils, Cory Hutcheson's playing-card divination book, and not yet possessed of a new tarot book, I picked up my interrupted reassessment of Paul Fenton-Smith's Tarot Master Class (which I believe has now been renamed). In it he mentions that the 4 of Wands reversed can indicate a "lack of … Continue reading Reversed Fours: A Stumble and A “One-Point Landing”

Numerous Reversals as Trade-offs: Pyrrhic Victories and Strategic Retreats

AUTHOR'S NOTE: Encountering numerous reversed cards in a brief tarot reading can present a challenge that is difficult to resolve. In an otherwise favorable forecast they can mean willingly giving up just a little more than you get to achieve your goal (the "Pyrrhic victory"), while in a less fortunate augury the implication is that … Continue reading Numerous Reversals as Trade-offs: Pyrrhic Victories and Strategic Retreats

The Turning Away: Reversal as the “Other Fork”

AUTHOR'S NOTE: The title of this essay was inspired by the Pink Floyd song "On the Turning Away," although my use of the idea isn't identical. It can be said with some confidence that every tarot card has a preferred path for expression of its influence and that route is usually indicated by its upright … Continue reading The Turning Away: Reversal as the “Other Fork”