The Chariot and The Tower: “Risky Business”

AUTHOR'S NOTE: This is the second essay in what may become a series where I take a structured look at "numerological counterparts" among the trump cards as "alike but different" expressions of a common theme. Here I'm tackling The Chariot (7) and its counterpart, The Tower (16=1+6=7). In approaching this subject, I recognized that both … Continue reading The Chariot and The Tower: “Risky Business”

High Priestess and Justice: The Quest for Perfection

AUTHOR'S NOTE: During my studies I often come across the opinion that the High Priestess and Justice display two faces of perfection, one natural and the other imposed. Although I'm mainly a Thoth and Tarot de Marseille guy, here I'm using the numerological structure of the Waite-Smith Major Arcana, which places Justice in the eleventh … Continue reading High Priestess and Justice: The Quest for Perfection

“The Light’s On But Nobody’s Home”

AUTHOR'S NOTE: This is a brief meditation on the Hanged Man. The title of the post comes from the halo around the head of the figure in the Waite-Smith version. Albano-Waite Tarot, copyright of U.S. Games Systems Inc, Stamford, CT While reading The Way of Tarot, I came across Alejandro Jodorowsky's observation that the suspended … Continue reading “The Light’s On But Nobody’s Home”

Horizontal and Vertical Orientation: A Study in Contrasts

AUTHOR'S NOTE: More inspiration from Alejandro Jodorowsky. In The Way of Tarot, Jodorowsky talks about certain trump cards that exhibit a horizontal orientation and thereby symbolize "action in the world," while others align vertically and emphasize interaction between the plane of Earth and the spiritual (or in some cases, infernal) regions. His representative examples were … Continue reading Horizontal and Vertical Orientation: A Study in Contrasts

The Further Adventures of “Gaze and Regard”

I've written in the past on the topic of "facing, gaze or regard" between two adjacent tarot cards that include human or human-like beings in their iconography, and what their juxtaposition in a spread means for the narrative when they are either facing toward or away from one another. (Simply put, one suggests "seeing eye-to-eye" … Continue reading The Further Adventures of “Gaze and Regard”