AUTHOR'S NOTE: While reading The Tarot of the Bohemians by "Papus" (Gerard Encausse) I came across an interesting approach to correlating the Major Arcana that was new to me. This is the last of my essays from the book unless I read it again at some point in the future. In line with his "positive-negative-neutral-transitional" … Continue reading Projection and Reflection: Trump-Card Pairs and Triplets
TdM Material
The Third Principle
AUTHOR'S NOTE: In The Tarot of the Bohemians, Papus covered a minor point that I've explored in much greater detail in my own work over the last few years, although at the time I had no idea I was echoing a nearly 150-year-old numerological concept. He proposed treating the second of two cards in a non-adjacent … Continue reading The Third Principle
Papus and the Trump-Card Septenaries
AUTHOR'S NOTE: With the numbers One through Ten, Papus (Gerard Encausse) found major inspiration in the quaternary paradigm, by which he managed to turn ten "pips" into a triad of four-card arrays. (See my previous essay.) With the trump cards he adopted a septenary model instead, and strove to bring the two onto the same … Continue reading Papus and the Trump-Card Septenaries
Papus and the “Formula of Tetragrammaton”
AUTHOR'S NOTE: In The Tarot of the Bohemians, Gerard Encausse (aka "Papus") spends the first 20% of the book playing with the numerology of the cards and relating them to the four Hebrew letters of the "ineffable Name of God" (euphemized as "Tetragrammaton"). Papus stacked up the trump cards in "quaternaries" (four-card sets) following the … Continue reading Papus and the “Formula of Tetragrammaton”
“Midnight Dew and Golden Sunflakes”
AUTHOR'S NOTE: In 1962, Canadian folksinger Bonnie Dobson wrote and recorded Morning Dew, an anti-war song in which the "dew" was nuclear fallout. In this essay, the analogous but hardly-as-lethal condensation is the "midnight dew" shed by the Moon in the Tarot de Marseille card of that name. In 1969, Roger Waters of Pink Floyd … Continue reading “Midnight Dew and Golden Sunflakes”
Rolling Back the Golden Dawn’s Syllabus
AUTHOR'S NOTE: I've known for some time that those who prefer classical decks like the Tarot de Marseille to the esoteric reveries of the post-Occult Revival don't subscribe to the conflation of Hebrew letters and trump cards in general, and particularly not to the model proposed by the Hermetic Order of the Golden Dawn. Rather … Continue reading Rolling Back the Golden Dawn’s Syllabus
Revisiting the Tirage en Croix: “Hold the Woo!”
AUTHOR'S NOTE: The excellent tirage en croix (aka "French Cross") spread originated in Continental Europe and it offers an ideal alternative to the modern three-card and five-card line. It is a straightforward predictive layout that I understand was developed by Swiss occultist Oswald Wirth. I recently came across a description of it on the r/tarot … Continue reading Revisiting the Tirage en Croix: “Hold the Woo!”
The Lover and the Devil: Trump-Card Bookends
AUTHOR'S NOTE: I've been playing around with the 7x3 array of trump cards (minus the Fool because zero adds nothing to this exercise) by running out the numerological expressions for each row and column. I used both Theosophical reduction (adding together the digits of any sum larger than 21) and "casting out nines" (subtracting increments … Continue reading The Lover and the Devil: Trump-Card Bookends
Red and Blue: “Living and Knowing”
AUTHOR'S NOTE: Except for the traditional block-printed Marseille decks, I get very little mileage out of color symbolism in the tarot. Even then, I stay mainly with the three primary colors red, blue and yellow (along with black and white), scarcely noticing the uncommon secondary hues of green, orange and purple, and even less so … Continue reading Red and Blue: “Living and Knowing”
The Lover as Morality Play
AUTHOR'S NOTE: It struck me today that the image of the four characters on the Tarot de Marseille "Lover" card might be viewed as a composite of the first six cards that precede it in the series of trumps. If we lay out those cards according to the scene in the Lover, we have the … Continue reading The Lover as Morality Play