The 10 of Cups: Satiety or Perfected Success?

AUTHOR'S NOTE: Whenever I consider the Thoth 10 of Cups in light of the Golden Dawn's original title, I'm amused by the fact that Aleister Crowley chose "Satiety" as his one-word condensation of the Order's "Lord of Perfected Success." The expression goes beyond mere sufficiency into a state of egregious excess, as in consuming far … Continue reading The 10 of Cups: Satiety or Perfected Success?

The 9 of Swords: Despair Is There But Where’s The Cruelty?

AUTHOR'S NOTE: In my opinion, neither the Thoth nor the Waite-Smith 9 of Swords does justice to the Golden Dawn's title of "Lord of Despair and Cruelty." While both capture the essence of despair, the overall effect looks more like "Despair after Cruelty" than an equal distribution of the two: the former describes a condition … Continue reading The 9 of Swords: Despair Is There But Where’s The Cruelty?

“Hair of the Dog” – Elemental Mixing in the Court Cards

AUTHOR'S NOTE: One of the oddest puzzles facing the esoteric neophyte upon first exposure to the Golden Dawn's "Chaldean" wheel of astrological correspondences for the tarot is "Why on Earth don't the twelve zodiacal court cards line up precisely with the 30-degree span of their designated signs? Why the offset?" For some strange reason, they … Continue reading “Hair of the Dog” – Elemental Mixing in the Court Cards

Logical Mysticism and Pragmatic Action: Quantifying the Unknown

AUTHOR'S NOTE: It's no secret that I prefer logical inquiry to unquestioning acceptance when confronted with the many romantic myths that shroud so much modern tarot practice in sheer fantasy. I've come to believe that there is an empirical explanation for the seemingly unfounded intuitive and psychic impressions attending the act of divination, we just … Continue reading Logical Mysticism and Pragmatic Action: Quantifying the Unknown

Elemental Colors: An Artist’s Perspective

AUTHOR'S NOTE: The four classical elements (Fire, Water, Air and Earth) were assigned an elaborate color scheme in four "Scales" formulated by the Hermetic Order of the Golden Dawn using Qabalistic and magical principles, but a more fundamental arrangement going back to an earlier time asserted only that Fire is represented by Red, Water by … Continue reading Elemental Colors: An Artist’s Perspective

The Crucible of Desire: Mars and Venus on the Cube of Space

"Mars goes out and gets what Venus wants." - Attributed to astrologer Isabel Hickey AUTHOR'S NOTE: One of my favorite ways to translate tarot cards into a compelling narrative is to apply their planetary energies across the board, whether they are assigned through direct correspondence or extrapolated from sign rulership. Here I'm going just a … Continue reading The Crucible of Desire: Mars and Venus on the Cube of Space

Thoughts on the Cube of Space and the Cardinal Directions

AUTHOR'S NOTE: I've been ramping up my study of the esoteric "Cube of Space" while reading Lon Milo DuQuette's Tarot Architect. It's a conceptual model that I've never fully appreciated nor had any practical use for, but that is about to change. In doing so I compared DuQuette's illustration to that of Robert Wang in … Continue reading Thoughts on the Cube of Space and the Cardinal Directions

A Mini-Lesson in Card Counting-and-Pairing

AUTHOR'S NOTE: When I first encountered the concepts of "counting round" and "mirroring" in the Lenormand Grand Tableau, I noticed a strong similarity between those 18th-Century cartomantic practices and the "counting-and-pairing" steps of the "Opening of the Key" (OotK) method for working with the tarot that was developed by the Hermetic Order of the Golden … Continue reading A Mini-Lesson in Card Counting-and-Pairing