AUTHOR'S NOTE: In a recent r/tarot thread, someone advised beginners - once they've diligently jotted down their initial thoughts about each card - to "put this notebook away and don't look at it again. You've done the basic work of learning the meanings, and even if you think you don't remember, that knowledge is now … Continue reading The Virtue of Extemporizing
Tarot
Papus and the Trump-Card Septenaries
AUTHOR'S NOTE: With the numbers One through Ten, Papus (Gerard Encausse) found major inspiration in the quaternary paradigm, by which he managed to turn ten "pips" into a triad of four-card arrays. (See my previous essay.) With the trump cards he adopted a septenary model instead, and strove to bring the two onto the same … Continue reading Papus and the Trump-Card Septenaries
Schrodinger and the “Fabric of Reality”
AUTHOR'S NOTE: I haven't touched on this subject recently, but my involvement in the Reddit sub r/seculartarot brought it back around. I once described divination in fanciful terms as "running my mental fingers through the warp-and-woof of the fabric of reality, trying to tease out threads of truth." More recently I encountered the ideas of … Continue reading Schrodinger and the “Fabric of Reality”
The Breeding Ground
AUTHOR'S NOTE: Having come from several years of involvement in Aeclectic Tarot, a stimulating online divination forum that closed in 2017, I've been somewhat disheartened by what I see as a much more diluted discussion platform in the Facebook pages I frequent. Although I have nothing against offering advice and assistance to novices, it seems … Continue reading The Breeding Ground
Papus and the “Formula of Tetragrammaton”
AUTHOR'S NOTE: In The Tarot of the Bohemians, Gerard Encausse (aka "Papus") spends the first 20% of the book playing with the numerology of the cards and relating them to the four Hebrew letters of the "ineffable Name of God" (euphemized as "Tetragrammaton"). Papus stacked up the trump cards in "quaternaries" (four-card sets) following the … Continue reading Papus and the “Formula of Tetragrammaton”
“Midnight Dew and Golden Sunflakes”
AUTHOR'S NOTE: In 1962, Canadian folksinger Bonnie Dobson wrote and recorded Morning Dew, an anti-war song in which the "dew" was nuclear fallout. In this essay, the analogous but hardly-as-lethal condensation is the "midnight dew" shed by the Moon in the Tarot de Marseille card of that name. In 1969, Roger Waters of Pink Floyd … Continue reading “Midnight Dew and Golden Sunflakes”
A “Tendency to Exist”
AUTHOR'S NOTE: I recently read a fascinating passage at the end of Sallie Nichols' discussion of the World card in Tarot and the Archtypal Journey that compares and contrasts the views of reality held by physicist Erwin Schrodinger and psychologist Carl Gustav Jung. Nichols begins by examining the nature of subatomic particles (circa 1980), noting … Continue reading A “Tendency to Exist”
Scattered Elements
AUTHOR'S NOTE: I just came across a radical departure from the typical "Fool's Journey" motif for the Major Arcana that I find intriguing since it relies on the hierarchy of elements shown in the four "magical implements" of the Magician. This led me to a related topic: whether the cards pulled for a spread can … Continue reading Scattered Elements
Last Waltz: The Universe and Beyond
AUTHOR'S NOTE: The World card of the tarot (aka "the Universe" in the Thoth and other esoteric decks) prompts endless questions from beginners who are not yet versed in its symbolism. Is it in fact a "good" card that portends success for the seeker because it displays a dancing woman who seems serene and utterly … Continue reading Last Waltz: The Universe and Beyond
Rolling Back the Golden Dawn’s Syllabus
AUTHOR'S NOTE: I've known for some time that those who prefer classical decks like the Tarot de Marseille to the esoteric reveries of the post-Occult Revival don't subscribe to the conflation of Hebrew letters and trump cards in general, and particularly not to the model proposed by the Hermetic Order of the Golden Dawn. Rather … Continue reading Rolling Back the Golden Dawn’s Syllabus